Ségolène Tarte studied ballet with Geneviève Guillée, of the Paris Opera Ballet, at the “conservatoire municipal du XVe – Frédéric Chopin” (Geneviève danced with the Paris Opera Ballet company for 20 years, reaching the grade of “grand sujet” in 1961; she further sat as a panel member on the jury of the Paris Opera Ballet company’s annual internal promotion contest in the 1980s, whilst teaching at the conservatoire). Ségolène pursued her ballet training in Berne (Switzerland) with Ivana Halamka (soloist at the Prague Chamber ballet, at ballet Karlsruhe, then ballet mistress at the Berne Statdttheater Ballet) and joined the semi-professional company City Ballett Halamka for 5 years where she danced a number of solos, whilst completing a PhD in Biomedical Engineering. In parallel with pursuing her academic career, working as a Digital Humanist in close collaboration with Classicists at the University of Oxford, Ségolène’s move to Oxford in 2008 has seen her debuts as a choreographer, improviser, and ballet teacher. She has shown her work at various venues in Oxford, including at the Pegasus Theatre and the Old Fire Station, and teaches for a number of well-established dance schools in Oxford. Drawing on her training in the French School of ballet and, to a lesser extent, in the Russian School, through her ballet classes, Ségolène strives to share the joy of movement and the subtleties of intention through movement. Her favourite technical foci are: presentation and articulation of the feet and lower legs; fluidity and breath in the movements of the upper body; and precision and clarity in the orientation of the body in space.